Bruce Barnbaum Masterclass and Exhibition at the Heidelberg Images Photography Gallery

Re-housing gives new life to a traditional Zeiss Tessar

When the Minolta XM was unveiled at Photokina 1972, it represented not just the pinnacle of Minolta’s engineering but also a significant leap forward in photographic technology.

Continuous Professional Work Results Require a High-Quality Monitor

Colour Grading Demands Top Performance in Colour Reproduction

Factory Calibration and Continuous Recalibration Allow Permanent Colour Accuracy

The Complete Colour management process chain at the creative’s workplace

Issue 24 is waiting for you! This edition has extra portfolios totaling 48 pages, including Brian Griffin, “one of the most original and influential photographers of his generation.” (The Guardian) But we aren’t short on gear, either, with reviews of the Pentax17 and Harman Phoenix in medium format, plus a look at sparking creativity with a Linhof TECHNIKA. Techniques include finding the best final image in your photo, and optimizing digitization through color management. We’ll keep you connected with stories from the film scene in Europe’s capitols, and a community project in the UK to help disadvantaged people.

Exciting news from the Widelux Revival Project — Jeff Bridges has shared a new WideluxX website! In a lovely interview on The Late Show with Stephen Colbert, Jeff shared his passion for the panoramic film camera, his personal connections to it, and his joy in continuing the project with his wife Susan, and Charys and Marwan from SilvergrainClassics.

You’ve probably heard that film can be damaged in airport scanners. You’ve probably also heard that only high speed film is at risk. Maybe you’ve also heard about some new type of airport scanners that are bad for all films? But what is really true?? Lina Bessonova has done a carefully planned and executed test of what happens to various ISO/ASA films in different types of airport scanners. A must-read for all silm shooters who travel by plane!